"GRAND CANYON 2," daily painter geologic abstract © Carol Nelson Fine Art

"GRAND CANYON 2"

detail


original version

This painting (the lower version), was hanging around my studio for a couple years.  It was in a gallery for a while, and in a couple outdoor art shows.  Nobody shared my vision of a geologic abstract done with a relatively limited palette, so I jazzed it up with some purple, blue and turquoise.

I think the composition is good, so it was worth exploring more color options with this one.  For more information about this 36x36 acrylic abstract, click here to go to my website.

Upcoming workshop


I will be teaching a two day METALS AND MIXED MEDIA workshop on March 4-5,2011 in Littleton, CO.  Please click here to go to my website for more information on this workshop.



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"WINTER SUNSET" daily painter winter landscape © Carol Nelson Fine Art

"WINTER SUNSET"
Winter sunsets seem to be extra beautiful.  I think it's because the earth is covered in neutral tones of white and gray, making the splash of color in the sky all the more brilliant.
For purchase information on this 36x18 original oil, please click here to go to my website.

Check art scammer database

It seems I am frequently bothered by scammers pretending to be legitimate art collectors. I can usually pick out the scam offers to purchase my paintings by their poor grammar and nonspecific requests like "I love all yore painting and i would like to by 3-4 large pictures for my Office in London."

My website is with Fine Art Studios Online (FASO) and they have launched a new free service by which any artist can check the name of a suspected scammer against their database of known scammers.

http://www.fineartstudioonline.com/art-scam/ is the e-address.

"IGNITION POINT" 10168, daily painter textured metal abstract © Carol Nelson Fine Art


"IGNITION POINT" 10168
 I love this painting.  Remember my torch experiments from last week?   Well, here's what I created with three of the metal foil sheets I burned with my butane torch.  I just LOVE trying new things and this turned out really cool.

This is how it started
 After burning the foil pieces, I glued them to this 30x15 canvas.  It's hard to see in a photo, but I made the corners lift up using clear acrylic gel.

Closeup showing burned metal foil.
Side view

There's a site called photofunia.com where you can upload photos and do fun things with them.  I took this painting and manipulated the image so it looks like three paintings in a store window.  Fun, fun.


 For purchase information on this painting, click here to go to my website.

"CELIA" 10170, daily painter original oil portrait © Carol Nelson Fine art

"CELIA" 10170
This is a commissioned portrait for a friend who was over at my house and saw some of the portraits I did earlier this year of my family members.  I don't usually paint kids less than two years old, but when I saw Celia's photo, I KNEW it would make an excellent portrait.  She has such sparkle in those eyes.  And I loved doing that hair!

It was fun to do another portrait.  It's been good for me to NOT do any for a while... Please click here to see other portraits on my website.

"BLUE ROAN" 10169, daily painter textured horse © Carol Nelson Fine Art

"BLUE ROAN"





Be sure to click on this image to enlarge it so you can better see all the texture elements.  I think it's a neat effect.

For purchase information, please click here to go to my website.

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"GOT AN ITCH," 10167, daily painter textured horse © Carol Nelson Fine Art

"GOT AN ITCH" 10167

This painting is another experiment using acrylic gel for texture.  I'm not sure how successful it is using gel for a realistic painting.  This horse would have been a lot easier to paint in oil.  Be sure you click on the image for the close up view of the gel texture.

I like the way the color sinks into the patterns made by the gel.  I deliberately let the color bleed into the background by spritzing it with water - I was using fluid acrylics.


For purchase information on this 10x10 acrylic, please click here to go to my website.


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"SHE'S A BEAUTY," daily painter original poodle dog © Carol Nelson Fine Art

"SHE'S A BEAUTY" 10166

This is a 5x7 commissioned painting of a beautiful standard black poodle.  I've never owned a poodle, but the ones I've seen always seem to somehow KNOW they are beautiful.

To see more small, affordable paintings on my website, click here.


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Torch experiments

It's fun to experiment with the effects of heat from my butane torch on art materials.  I can imagine all sorts of abstract applications for these materials.
 Red foil - scorches to black, then silver, then melts
Green foil - scorches to turquoise and blue, then gold, then brown, then melts
 Gold foil - scorches to amber, brown, black
Note the cool bubble pattern.  All the foils bubbled.
 Blue foil scorches to green and gold.
This is a different gold foil - scorches to lighter gold, then silver, then black before melting.






In addition to the foils, I tried torching some other collage materials.

 Thin plexiglass - very cool melting pattern
 Silver foil on left
Piece of copper in the middle- copper changed color to a darker, duller version of the original piece
Strip of silver metal flashing (aluminum?) - This silver metal turned gorgeous shades of gold, amber, and brown tones and remained shiny.  Where I held it to the flame longer, it turned dull charcoal gray.
 Top - a leaf shape cut out of gold aluminum.  The right side of the leaf is torched.
Bottom - purple metal turned gold to silver to melting.
 Burlap - no surprise here.  I liked the blackened look.
140 lb painted wc paper - Being paper, I was able to burn a hole in it.  Nice singed effects around the hole.  If you want to collage on some paper with a really unusual edge, this would work well I think.




This is all I've torched so far.  I did them outside with a bowl of water on hand for dousing the flames.  I'm sure you will be seeing materials prepared this way in my future abstract work.

"BLAZE," mixed media textured horse experimental © Carol Nelson Fine Art

"BLAZE" 10165, 11x14 mixed media





I was reading* about Italian artist, Alberto Burri (1915-1995), who was an influential figure in the postwar art scene in America.  His work is currently on view at the Santa Monica Museum of Art.  I was interested in his use of unusual materials such as burlap, fabric, wood, sheet metal and plastic.
Sometimes the materials were torched in order to explore the expressive qualities of molten plastic, charred wood, and singed fiber.

I recently got a torch and was itching to try it on something.  I tried melting a piece of copper, but my BUTANE torch does not burn hot enough to melt copper - need a PROPANE torch for that.  My torch, however, is hot enough to melt thin metal foils.

I like the effect of torching the foil.  It changes color and actually melts if you hold it in the flame long enough.  If you've ever worked with foils, you know that you cannot tear them easily and this enables you to create a ragged edge which is sometimes preferable to a straight edge on a collage piece.

In this painting, the red areas are made from red aluminum foil that has been torched around the edges.  There also is texture from acrylic gel medium.

For purchase information, please click here to go to my website.

*"(Re)discovering Burri," by Kirsten Swenson, Art in America, December'10


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"ANASAZI," 10164, mixed media abstract © Carol Nelson Fine Art

"ANASAZI" 10164
This 36x24 abstract almost went in the trash.  I kept working on it and it just seemed to get worse - see the progress photos below.  Finally, in an act of desperation, I painted over most of it with a red glaze.  That seemed to do the trick, because I like the final look.
There is aluminum and gold metal foils, and metallic acrylic paints which impart a warm glow to the painting.  Those little bits of turquoise and green complimentary colors add pizazz I think.













Day one - I added the foils and rice paper
which has a lot of straw-like fragments in it.








Day Two - adding some underpainting.
















Day 3 - adding some darks.  Searching for a pleasing color scheme.














Day 4 - This was starting to look complete, but I didn't like it.  It actually looks better in this photo than it was.
This is the point I seem to get to in all my abstract work where the painting looks terrible to me and I just have to keep working on it.
I don't usually have to do something as drastic as I did on this one with the red glaze.



For purchase information, click here to go to my website.

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