Candle Hat

I love this poem by Billy Collins about Goya and his infamous candle hat.

 Billy Collins, “Candle Hat.” 

In most self-portraits it is the face that dominates:
Cezanne is a pair of eyes swimming in brushstrokes, 
Van Gogh stares out of a halo of swirling darkness, 
Rembrandt looks relieved as if he were taking a breather 
from painting The Blinding of Sampson. 

But in this one Goya stands well back from the mirror 
and is seen posed in the clutter of his studio 
addressing a canvas tilted back on a tall easel. 

He appears to be smiling out at us as if he knew 
we would be amused by the extraordinary hat on his head 
which is fitted around the brim with candle holders, 
a device that allowed him to work into the night. 

You can only wonder what it would be like 
to be wearing such a chandelier on your head 
as if you were a walking dining room or concert hall. 

But once you see this hat there is no need to read 
any biography of Goya or to memorize his dates. 

To understand Goya you only have to imagine him 
lighting the candles one by one, then placing
the hat on his head, ready for a night of work. 

Imagine him surprising his wife with his new invention, 
then laughing like a birthday cake when she saw the glow. 
Imagine him flickering through the rooms of his house 
with all the shadows flying across the walls. 

Imagine a lost traveler knocking on his door 
one dark night in the hill country of Spain. 
“Come in, ” he would say, “I was just painting myself,” 
as he stood in the doorway holding up the wand of a brush, 
illuminated in the blaze of his famous candle hat. 

Goya's self portrait wearing his candle hat during the day, so not lit.
Image is from the movie, Goya's Ghosts

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